Monday, November 3, 2014



Why, oh why
would one want to waste away
in a
Poetry Society

Whoowee, am I gonna get the letters on that opening

One day you wake up, thinking: hmmmm? sure like the sound of words working together, painting a concise, illuminated passage—wonder how one learns to write this stuff known as “poetry?” Perhaps, there is a group of knowledgeable writers, who are actually versed in this subject. And, so, you investigate…

Poetry Societies primarily sing from the same shameless hymnbook: manifestos (they grin their self-absorbed Cheshire cat grin and call them “mission statements”) claiming, the particular society exists for the “advancement of poetry”— when in fact, these “Societies” are simply an ego-trip for those who initiate and board the organization, a place for them to expound, to strut their sub-par creations, to gather as Lord & Master over a captive flock of trusting sheep who know not where to turn for information and advancement of their personal quest. For the most part Societies indoctrinate forms and styles which are subscribed to by those in charge; holding “workshops” presented by those of the flock, who know little or nothing of what they speak. To what end?
   A “society” is in essence, a team: a “team” being nothing more than a like-minded collective of individuals who either drag the unfit like a sack of rocks, or one is the stepchild of the team—the sack of rocks being dragged.

The quality of learning and potential for personal advancement in a societal atmosphere is wholly dependent upon the quality and philanthropic nature of the societal nucleus. A scarce commodity to be certain. When in reality, getting together with others who have the temerity to call themselves “poets”—some, even going so far to have the title printed on business cards, would, indeed, seem to be a fool’s errand.

to be continued

Max tdc



Monday, October 6, 2014




BackStreet Review

Crave narrative? crave noir imagination? crave (mostly) unique prose transformed and christened “poetry”? —Hint: the truly good materials seem to be written in historic (narrative) present tense. Then, BackStreet Review is poss-ib-ly for you. But the highlight of this gritty, down-to-earth publication is, not, its lengthy life, almost two decades in one form or another; or its ongoing collection of accomplished writers; rather the pearl in the soup kitchen oyster stew is the writing of, editor, producer and publisher: Ray Foreman. Ray’s lived it…
Ray’s a cat person (Max happy.)

Never met Ray. Do you think? because the backstory of the guy is so convoluted, perhaps he is actually only the figment of someone’s imagination; the HanShan of the faded beat generation. But I know I like this guy. He comes across as street-tough, as blue-collar as they come. Apparently, used to own—as in own, operate, cook, clean and babysit all day—every day— a Chicago hash counter, a diner when a diner was King on Clark Street; was a Merchant Marine, a coffee shop entrepreneur near City Lights book store in the city by the bay. Ray’s been around and seen it all, a “poetry” hustler, street philosopher, story teller, professor of honest-to-Jake writing. Foreman doesn’t stand for pinky-flair poetry, he wants an honest sounding story with substance, true to life, to slam, punch and grind.

And if you hear what he is saying in his “editorials,” absorb what he shows (not tells—Ray doesn't sell this soap) in his “poems” you’ll be guaran-damn-teed to come out of the fire a better writer.

Contact “Ray” @:
BackStreet Quarterly Review
P.O. Box 1377
Berthoud, CO 80513

Can’t recall the meager cost for some of the best street-schooling in the trade: $10.00…perhaps $15.00 per year?
Oh. Go ahead, at least, send him three or four wrinkled Georgies for a sample copy. I’m certain he can use them (can’t we all) and you can’t afford not to spend ’em…
Trust the ticky-dot.

Best from, Max tdc




Friday, October 3, 2014




 cont'd...
Cheap Seats Ticket to Ride

It does, it truly does resemble a
“Ticket Book.” About 3-1/2 x 8-1/2
inches, end stapled with gitchy
board covers; we’re talking about,
Cheap Seats Ticket to Ride. (I did
promise “more, soon”…did I not?)

This conveniently sized print
slips neatly into a standard #10 envelope and is mailed using one-ounce postage. Suspiciously (auspiciously) sized much like another, ultra-nifty publication: 
bear creek haiku.
Here are just a few selections
and partials from the dozen
or so Cheap Seat writers…

“barking loud enough
to scare dogs
sandhill cranes arrive;
honking like traffic jams,
Canada geese
on the next flight”

                 Michael Conner
                 Tahoka, Tx
      

“if I could design words
that would disappear and
  leave
your image on the page
I would have drained
the wells of ink by now…

…yet everything
is as should be
for if the words
the page
and time
could contain
and define you
I would be without pursuit”

                 steve croisant
                 Grand Junction, CO
      

"pouring sauce
over spaghetti noodles
eating alone"
       
"a little radio
falls to the floor—
a deep sigh"

      James D. Fuson
      New Haven, MI
     

"acceptable losses—
to catch a moth
you have to break a few
   lamps"

            Candi Cooper-Towler
              Longmont, CO
        

"Ninety-three degrees
Shadow of a butterfly
Sails into mesquite shade"

               Cynthia Sidrane
                Phoenix, AZ
        

"homeow"

      ayaz daryl nielesen
      Boulder, CO
     

Just a few.

The writers featured in this issue include some of small press’ heavy hitters: Rhodes, Catlin, Mayfield, Cooper-Towler, etc. ol’ Max hizzelf the ticky-dot-cat, highly recommends you have a look-see. (An SASE, an extra lst class postage stamp within and three bucks will get you guidelines and this first printing.) Worth checking out; a unique publication in which to be seen!
 (No, Virginia, they did not pay me with Taco Bell to say these things …although I can say more on Tuesday for a Taco today.)

Max tdc,
Taco Bell maniac